Events | Ruth Downie

Small Island

Posted on March 29, 2017March 31, 2017 by Ruth

A visit to the island of Alderney has been on my bucket list ever since we saw our friends’ holiday photos, so there was dancing and singing here at Downie Towers when an invitation to the Alderney Literary Festival arrived. Below are a few photos of my own, along with some random thoughts about the festival – which was fabulous.

Alderney is a small island, so obviously the ‘new, big’ plane was never going to be terribly big. It’s super-comfortable, though, and nearly everybody gets a window seat.

Here’s the Island Hall, where most of the festival happened – one of many beautiful buildings in the town of St Anne. Something I sadly failed to photograph was the modern finale to the Bayeux Tapestry, created by islanders and on display in the Library around the corner. It’s so good that it’s been displayed in the Bayeux Tapestry Museum, where they’ve kept a replica.

Most of my photos of the festival itself are blurry shots of speakers in the distance and lots of backs of heads in between. However… please welcome some of Joyce Meader‘s highly entertaining display of military knitting through the ages. Here’s Joyce demonstrating an adjustable knitted dressing-cover for keeping bandages clean. The lady next to me is examining what I think was a knitted eye-patch.

The picture of the WW2 WAAF knitted knickers (3-stitch rib, with gusset and proper elastic) has been removed by the censor and I failed to get a decent shot of the green woolly long-johns or the one-size, shrink-to-fit socks, so here is a pair of military knee-warmers instead.

Obviously not every festival speaker offered handcrafted goods, but all offered memorable moments. These included:

Imogen Robertson‘s description of the process of creating a novel as making lots of very small decisions – very cheering to those of us who are strangers to the “flash of inspiration”.

Jason Monaghan‘s account of the battle of Cambrai: the Royal Guernsey Light Infantry suffered terrible losses and the news reached home during Christmas week.

Rachel Abbott, the 14th most successful ebook author on Kindle, revealing part of the secret of her success: working 14 hours a day, 7 days a week for months.

Andrew Lownie stressing the importance of a good title – Henry Howard, Earl of Surrey, does indeed sound a lot more enticing as Henry VIII’s Last Victim.

Simon Turney illustrating a creature described by Julius Caesar, which appeared to have the head of a cow, the horn of a unicorn and the antlers of a reindeer.

Simon Scarrow describing the complicated mess of World War Two that led to mass starvation in Greece.

I have a feeling the display of a Roman cataract needle in my own talk may have been memorable for some, though possibly they’re now wishing they could forget. Anyway, here’s the moment when, having delivered the ‘author talk’, the author tries to remember what her own name is to sign the book.

I bet TH White never had that problem. Readers of “The Once and Future King” – or “H is for Hawk” – might like to know that this was his house:

Just like the UK, only… not.

There are people on the island, honestly.

Geranium envy.

Lovely to look at, terrifying to sail around.

One of many defences left behind by previous occupiers, and an unlikely location for a Countryside Interpretation Centre.

Looking even less likely now:

But yes, it really is! A modern photo of the view the German defenders would have enjoyed on a sunny day.

Speaking of occupying forces, here’s Simon Turney (left) defending Rome in the Saturday night dinner debate: “Overpaid, Oversexed and Over Here: what did the Romans do for us?” while Simon Scarrow weighs up the evidence…

…and a nervous Briton keeps smiling while she tries to think what to say in return. (And yes, that torc is completely fake. The instructions for how to make something similar are here. If that link doesn’t work, try Googling “dtorc_obj11236”)

Alderney’s tumultuous history (it lies on a strategic cross-channel route) has left it crammed with interesting sites to visit. This is The Nunnery, a Roman fortlet which has seen many different uses over the years, although none of them appears to have involved nuns. Real Romans built the wall on the right, but not on the left. Don’t ask me how you tell.

With the man who knows: standing on a Roman rampart with Jason Monaghan, writer and archaeologist, and Simon (SJA) Turney: part-time Roman, full-time writer.

The chaps discuss defence tactics while Simon tries out the Roman wall walk. We felt very privileged to be given a tour by Jason as the interior of the Nunnery isn’t currently open to the public.

I think we can all agree this isn’t Roman. It’s next door to the Nunnery…

…and this is the landing-point they were both built to defend.

Peace has now returned to Alderney…

…and I can vouch for the fact that the islanders are incredibly welcoming and hospitable. It was an honour and a delight to spend time with many of them last weekend, and my thanks go to the Alderney Literary Trust and everyone else who helped to make the Festival such a success.

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“We have to hope that our characters will forgive us…”

Posted on September 6, 2016September 6, 2016 by Ruth

“…because we’re doing the best that we can.” Margaret George, Historical Novel Society conference, 2016.

I’ve never been to the Historical Novel Society conference before, but after last weekend I’m wondering why. It was splendid. If you want to read a well thought-out blog piece about it, there’s one in the Times Literary Supplement. If you want a few photos, some scrappy notes and some Anglo-Saxons banging their shields and yelling, then, dear reader, you are in the right place.

The problem with reporting on writing events is that my photos are often – quite frankly – a bit boring. They’re mostly: Tracey Chevalier giving a talk

Panels – a row of people behind a row of tables.

Discussions – two or three people looking at each other across a low table.

Talks – one person behind a lectern. Or standing beside a table. Could be anybody, because they’re too far away to tell. On the right: Tracey Chevalier, Richard Lee of the HNS, an illegible screen and the backs of two heads. Luckily the talk was much better than my photography.

The Dinner – lots of people leaning against each other and looking cheerful around a big table.

After the dinner– people standing around clutching drinks and looking very cheerful, despite the absence of tables.

Whilst these sort of pictures are fine if you know the people involved, or if you have always wondered what the person who wrote that hideous torture scene might look like, they aren’t exciting. So, I have vowed to take (or at least show) no more of them.

In future, any panel that can’t come up to the standard of Paula Lofting and Regia Anglorum‘s “How to Build a Shield Wall” isn’t going to get a look-in.

Photo of re-enactors with shields and javelins

Although they might get a quote, because some things are too good not to pass on.

For instance, Jo Baker‘s contention that “Books start to be historical when the clothes start to be vintage.”

Melvyn Bragg‘s “History and fiction have been intermingled for ever. Herodotus made up the speeches for his Histories.”

Gillian Bagwell‘s hints on “Giving your writing the reading it deserves” including, Memorize the first line so you can look at the audience. (I’d never thought of that.)

Rory Clements on “Writing the Historical Thriller” – “If you find it easy, you are not putting enough effort in. You could do more.”

Hazel Gaynor on reclusive writers engaging with booksellers – “I’m putting my Brave Trousers on, and I’m going out!”

Carole Blake‘s sage advice to aspiring writers – “Ask around – don’t be so grateful that you accept an offer regardless.”

But where, you may be asking by now, are the Anglo-Saxons beating their shields? Was that them, above? No, there’s more. We’ll get there in a minute. First, I’d like to celebrate the glorious Battle of Fulford tapestry. (Not, as I inadvertently called it on Twitter, “the Battle of Fulford Tapestry,” an otherwise unknown medieval skirmish over needlework). It’s six metres long, it was displayed at the conference by its designer, Chas Jones, and you can find out all about it on this website. You may recognise the style.

And this is how they got those lovely colours for the wool. I tried to turn all the labels around the right way before taking the photo, so with luck you can zoom in and read most of them.

There was, of course, a very fine Gala Dinner on the Saturday night.The guests included Queen Boudica, an elf, a witch, a monk, Tilla (or rather me, wearing her clothes), a gondolier, and Mrs Lincoln. On looking at the photos it’s clear that Tilla enjoyed the evening a little too much and all the photos she took were a bit blurry. This is her best effort at Mary Todd Lincoln, whose splendid outfit won first prize in the costume pageant.

Photo of lady dressed as Mary Todd Lincoln

So that, gentle reader, was a very brief roundup of some of the highlights of the HNS conference. In the year that marks the 950th anniversary of the Battle of Hastings, we will leave the final word to Harold Godwinson’s men. Some of whom are women. But as they say about historical fiction, it’s all lies anyway.

VITA BREVIS, published today – and a caption competition.

Posted on July 12, 2016July 12, 2016 by Ruth

Vita Brevis HB cover I’m delighted to announce that Ruso and Tilla’s seventh adventure, set in the great city of Rome itself, is now available on an e-reader near you! Find out more about it here.

If you live in the USA, Canada or Cambridge*, VITA BREVIS should also be available in a bookshop. (*The fine folk at Heffers Bookshop have arranged a few sneaky imports in time for their Summer 2016 Crime Party on Thursday.)

Paper copies will set sail across the Atlantic before long and, with a fair wind and strong rowers, should arrive in September.

To apologise for the delay, here’s a caption competition! The best caption sent in from the UK or Ireland for the photo below by the end of July wins a signed copy of VITA BREVIS. Friends from elsewhere are very welcome to enter but sadly you will win only the honour of keeping us all amused.

Mosaic of woman (?) confronting naked man

What’s going on here? We need to know!

From Eboracum to Ipplepen

Posted on June 14, 2016June 17, 2016 by Ruth

It’s been a busy few days – first, a long weekend in York, a city crammed with Roman activity past and present. Then down south to spend five days in search of the far more elusive Roman Devon. Finally, with all photos downloaded and all mud washed off, there’s time to update the blog…

The Eboracum Roman Festival was a resounding success and will hopefully be back again next year.

Roman soldiers march in Museum Gardens York — Setting off to march around the city.

The centurion of the LEG XX leads his men — Don’t argue with the centurion. He’s got a big stick and some very scary headgear.

More Roman soldiers march through the park — Best not to argue with this lot, either.

Children dressed as Roman soldiers — Hidden around the corner – the Roman Army’s secret weapon.

Barbarian parents assess their chances against Rome's smallest soldiers. — Barbarian parents assess their chances against Rome’s smallest soldiers.

Children vs parents, armed with foam pipe insulation — Into battle!

Parents are defeated by small Romans — Small Romans 1, Barbarians 0

Display of Roman food on stall — Time for some feasting

Traditional Arabic dancers with red skirts — And dancing, with Ya Raqs traditional Arabic Dancers

Display of reproduction Roman pots — And of course shopping – beautiful repro Roman vessels made by Andrew MacDonald of The Pot Shop in Lincoln.

Repro indented pottery beaker — This one came home with me.

Picture of dish with gritted surface, woolen braid and spindle — And so did this. It’s a mortarium, used for grinding up food (or medicines, presumably). The delicately-woven braid also came home…

Woolen crafts on stall — Made by the talented Catherine Stallybrass of Curious Works. (The spinning in the last pic is mine. Catherine’s is much finer.)

Beads on display — Terrible photo, lovely jewellery – a mini-display from Tillerman Beads. The blue ‘melon’ beads at the front are usually found in military contexts (I’m told) and would probably have been worn by men.

Bookstall with Simon Turney and Ruth — Oh look, some more people selling things! The Roman soldier, who removes his writerly specs when on parade, is Simon (SJA) Turney. The Romano-British woman clutching her phone is me. The Writers’ Tent also held Jane Finnis (whose books are set in Roman Yorkshire) and Brian Young, and we were delighted when Caroline Lawrence dropped by, too, but I can prove very little of this because I was so busy chatting I forgot to take photos of us all. Big thanks to Sandra Garside-Neville for this pic.

Display of repro Roman items — The spiky thing at the front is a caltrop, the Roman equivalent of barbed wire. Very nasty to tread on, both for people and animals.

The Multiangular tower in York museum gardens — Some parts of Roman York are still standing. This corner of the fort is now in the Museum gardens (the lower part is Roman, the top was built later).

Pic of screen with digital image of the tower — It was being surveyed by AOC Archaeology over the weekend – you can just about see it on the screen.

Picture of an urban privet hedge. — Archaeology is what makes all this possible. And often there’s very little to see. So hats off to John Oxley, City Archaeologist, who managed to make even this hedge interesting when he explained that the grave of the woman who’s now known as “ivory bangle lady” was found just behind it. (There’s more about her in the Museum.) After his “Waking the Dead” tour (part of a great programme of Festival talks) I shall never walk through York Railway station again without thinking of the vast Roman cemetery that once covered the same land – and the burials that may still lie undisturbed beneath it.

Roman soldiers walking away — It was over too soon. The tents are folded, the men have marched away (hopefully to return next year) and it only remains to thank the organisers for such a brilliant event – especially Sandra Garside-Neville and Kurt Hunter-Mann for their kind hospitality.
And then… it was the long drive down to Devon for some nuts-and-bolts archaeology.

Buttercups in flower — It may look like an innocent field of buttercups, but beneath it lies a Roman road. This is Ipplepen in South Devon, site of a Romano-British settlement that was only found in 2007. Not as spectacular as York, but hugely significant in the history of Devon, where evidence for the Roman occupation can be very hard to pin down. Students from Exeter University are exploring the field next door this year, and it was a privilege and an education to spend a few days as a volunteer with them. This is the sort of thing we found under the buttercups:

Section through a ditch — Yes, I know it’s an empty hole in the ground. And yes, people are standing around staring into it. But this is MY hole in the ground – or at least, the left half is. The right-hand side was dug by someone else. It’s that shape not because we disagreed, but because of the way the original digger, many hundreds of years ago, worked with the angle of the rock. It’s just a part of the picture that will emerge over the coming weeks as the team dig and record and make sense of what they find. I promise there will be far more interesting things to see on the Open Day on 25 June – here are some pics from Open Day 2014.

Visitors gathered round table under marquee — Sam Moorhead from the British Museum explains the coin finds to visitors. (2014)

Small bracelet made of twisted metal — Imagine the story this little bracelet could tell. (2014)

Roman soldiers talk to visitors — Winning the hearts and minds of the natives. (2014)

And now, it’s back to the thing that makes all this gallivanting possible – writing the next book.

And there’s more…

Posted on November 9, 2013 by Ruth

They say you should put the important information at the top of a piece, just in case nobody reads any further, so here it is –

I’ll be at Calne Library in Wiltshire this Tuesday evening with the irrepressible Ben Kane, author of Roman military fiction and owner of a pair of repro Roman boots that walked Hadrian’s Wall last summer and helped to raise thousands of pounds for charity. You won’t have to donate to come in – just pay £3 for a ticket. Phone 01249 813128 to book.

I’ll be in Bristol Library at 7 pm Wednesday with Robert Low, Mike Williams and Kylie Fitzpatrick, This is a FREE event but you do need to book – 0117 9037200

These are the last two events for this year. It’s been an enormous pleasure to meet so many readers, writers, bookshop and library staff on my recent travels, and to reconnect with real people beyond the desk and the computer (which is not to insult the family and friends here, but it does sometimes seem as though the entire business of writing is a fantasy world that I just make up to fill in the hours while other people are out there doing proper jobs).

We were in some splendid venues, but my plans to take lots of photos were thwarted by a failure to pack the camera. Here, with apologies, are the best of a bad bunch from the phone.

First – on the right, the leg bones of an elephant. I can’t remember which sort of elephant, but a trip to the excellent Eton College Natural History Museum will tell you. It will tell you many other fascinating things too. On the left, me. The photo was taken by Karen Maitland, author of marvellous medieval thrillers and not at all responsible for the fuzziness around the edges. We were there talking about Ancient and Medieval medicine as part of the Thames Valley History Festival, which runs until 17 November.

Elephant leg bones at Eton Nat Hist museum

Next up – Heffers Classics Festival, held in the university Law Faculty at Cambridge. To say I was nervous beforehand would be an understatement, but it was a fantastic day with loads of good speakers – if they do it again next year, I’d very much recommend it.

And finally – this is the Bamfylde Hall at Hestercombe Gardens, near Taunton – one of the venues for the Taunton Literary Festival, being run by the enterprising folk at Brendon Books until 19 November. Luckily I was early, as the local lanes have to accommodate cows as well as cars, and cows do not move very fast.

After this… I really do plan to get some writing done.

What a weekend!

Posted on October 25, 2013 by Ruth

Sometimes I can’t believe the amazing places writers get to sneak into. Next weekend I’ll be privileged to be involved in three fabulous events. If you’re anywhere near any of them please do come and join us. I’ve mentioned the first two before, but here they are again –

Friday 1st November – at Eton Natural History Museum, talking Leeches and Prayer with Karen Maitland as part of the Thames Valley History Festival. I’m told the museum has real leeches. I hope they’re deceased.

Saturday 2nd November in Cambridge, talking Romans at the Heffers Classics Festival, an event with Seriously Impressive Lineup. And me.

And now… Sunday 3rd November at the Taunton Literary Festival talking more Romans with Ben Kane and Anthony Riches. What a treat! We’ll be in the Bampfylde Hall in Hestercombe Gardens: just the place for a day devoted to historical fiction. Some of the ticket options include lunch and of course, since it’s the West Country, there’s always the chance of a cream tea.

Events, dear boy,* events

Posted on October 12, 2013November 4, 2013 by Ruth

[*or girl – Ed.]

For those of us who sit hunched over a computer all day, a chance to get out and meet real people is very exciting. I’ll be taking part in several events over the next few weeks so if you’re able to join us, please come and say hello.

16 October – 7.00 pm at Barton Library (Barton le Clay, Bedfordshire) “Writing the Romans” with Henry Venmore-Rowland. Henry is the author of “The Last Caesar” and “The Sword and the Throne,” bringing to life the tumultuous events of AD 69 when Rome had four emperors in one year.

17 October – 7.00 pm at Putnoe Library, Bedfordshire – Crime Through Time. I’ll be discussing the appeal of the Romans and the Tudors with Rory Clements, author of the John Shakespeare series (yes, John is the brother of the more famous William, and a great character in his own right).

November

1 November, 7.00 pm – “Leeches and Prayer – the Medicine of the Past” part of the Thames Valley History Festival. Join me and Karen Maitland, author of the superb “Company of Liars”, at the Natural History Museum in Eton College – a venue where we are promised real leeches.

2 November – Heffers Classics Festival – in association with Cambridge University’s Festival of Ideas. Such an honour to be invited! (When you see the lineup you’ll understand what I mean.) I’ll be talking about “Stories in Stones” – the tales that have slipped down the gaps of history. That will be the (relatively) easy part. I’ve also agreed to speak for Dido in a balloon debate about who was the greatest character in Classical Mythology. I’m still wondering why I said ‘yes’ to this. Unlike everyone else on the panel, I’m neither a classicist nor an Oxbridge graduate. Surely poor Dido has suffered enough? Details and tickets here.

Also in November – an eager horde from the Historical Writers’ Association will be descending on libraries to help celebrate The Reading Agency ‘s History Month. Here’s my part in it:

7 November – UPDATE – the afternoon visit to Honiton Library in Devon is now CANCELLED – sorry! But I will be doing the following visits the week after…

12 November – an evening at Calne Library with Ben Kane. Ben’s a very entertaining speaker so it should be good!

13 November – on a panel at the beautiful Bristol Central Library with the Vikings, two 19th century women, and the British Special Forces. Or at least their representatives – Robert Low, Kylie Fitzpatrick and Mike Williams.

First, drown your ape.

Posted on August 15, 2013August 16, 2013 by Ruth

Welcome to my corner of the 2013 Wonder of Rome Blog Hop! There are (I think) seventeen of us linking up this weekend to offer blog posts on some aspect of Rome for your enjoyment. As you’ll have gathered, I’m Ruth Downie, and I write a series of crime novels featuring Roman army medic Ruso, and his British partner Tilla. Predictably, my choice for the Wonder of Rome is its doctors (even if they did learn most of what they knew from the Greeks).

As part of the Hop I’ll be giving a copy of the Ruso book of their choice to one randomly-chosen reader, so if you’d like to enter the draw, please leave a comment below and I’ll be in touch with the winner. (No, this is not a cunning ploy to make you read to the end. I know you have a ‘scroll’ button.)

The Ruso books are set during the reign of the Emperor Hadrian, and I’m mightily glad they are. Not only because it’s an interesting period, but – as I discovered when it was too late to change it – I’ve escaped Galen by a gnat’s whisker.

There’s no doubt that Galen (who was born in about A.D. 129) was a marvellous doctor, as he pointed out himself on many occasions. His influence was such that even in the nineteenth century, German medical students had to pass an exam on his works before they could qualify. But he was prolific. Those of us struggling with deadlines and word counts can only marvel at Galen’s ability to produce vast amounts of prose, and give a quiet sigh of relief at the thought that we aren’t compelled to read it all.

Trephined skull — Surgery has a long history. This hole in the head was created over a thousand years before Rome was founded.

I have, however, been perusing “On Anatomical Procedures” recently. This is how I know that you have to drown your ape. Despatching it in any other way will damage it, thus ruining some of the structures Galen wants you to see as you dissect it.

(It occurs to me now, gentle reader, that you may like to use that scroll button after all. This will get a little gory in places. Crime writers, especially those who write about medics, tend to forget that not everyone is used to this stuff. Sorry.)

The unnecessary drowning of apes is not a cheery topic, and the dissection of living creatures – also recommended by Galen – is even worse. Let’s not even think about… no, let’s not. Yet there’s one practice we accept today that would have been deeply disturbing to the classical Romans. Despite their reputation for cruelty, they would have been shocked at the idea that doctors might routinely learn their trade by taking apart real human bodies. Goodness knows what they would make of CSI or Silent Witness. The medical men of ancient Alexandria had helpfully disposed of criminals this way in the past, but by the time the practice of medicine had spread through Greece and across to Rome, it was much frowned upon. So although Galen managed to examine human skeletons, much of his knowledge of anatomy came from animals.

At least Galen was eager to look, learn, and share his knowledge. Not everyone had such high standards. Rather like the title ‘therapist’ today, anyone in the ancient world could call themselves a ‘medicus’, so it was a case of buyer beware. Martial must have expected his audience to get the joke when he wrote,

Until recently, Diaulus was a doctor. Now he’s an undertaker. He’s still, as an undertaker, doing what he used to do as a doctor. (Epigrams, 1.47)

Just to make the point – Galen was obliged to prove to some of his colleagues that arteries are not empty channels. Neither, he pointed out, are they full of milk.

Photo of Roman re-enactor in bloodstained tunic explaining medical instruments — He looks friendly enough, but can you trust him?

The medic in the photo was travelling with the XIIII Legion, which was a good sign, since surgeons with the Army or – like Galen – the gladiator schools, at least had plenty of practice. And the best were very good indeed. Anything accessible and mechanical – breaks, sprains, dislocations, cuts, removal of arrowheads from places they shouldn’t be – all these they could cope with. Some of their techniques were still in use in the First World War, and whilst they didn’t have modern anaesthetics, they were well aware of the effects of opium and mandrake.

I thought I should mention that comforting fact before going on to say that they also had a viable method of dealing with cataracts.

Ready? Peep out between your fingers at the sort of precision instrument they would have used –

Reproduction cataract needle — A modern reproduction of a cataract needle, based on one of a set found in the Saone River in France.

I’m told the less terrifying end could be dipped into a liquid medicine and used to deliver it to the patient, one drop at a time. (This one was made by Steve Wagstaff.)

And here are a couple of examples of real patients from the Roman world, the first one a Londoner:

A pair of collarbones, one broken and mended — According to the Museum of London, the broken half of this pair of collarbones only mended so successfully because someone had strapped it up properly.

The unlucky owner of this bone was buried in Arles –

Photo of badly mended broken bone — Should have gone to Galen?

Dealing with what a doctor could not see or feel was a trickier business. The reason for the spread of disease was much-debated and it’s not hard to conclude that epidemics were kept in check less by medics than by engineers, building aqueducts for fresh water, and sewers the like of which were not seen again in Britain until the great clean-up of Victorian times.

Still, despite everyone’s best efforts, recovery depended on the goodwill of the gods. There are testimonies to overnight cures at the shrine of Aesculapius, and Luke’s gospel tells the story of a woman who had spent all she had on doctors and was finally cured after twelve years of illness by touching Jesus’s cloak.

Photo of clay model of foot — A gift to the gods, in the hope of – or giving thanks for? – a cured foot.

In fact some people were firmly of the opinion that doctors were best left out of the equation altogether. Pliny the Elder, although he recommended plenty of remedies, was appalled by the notion that anyone should attempt to make money out of the sick. “Only a doctor can kill a man with impunity,” he observed, adding, “there is no greater reason for the decay of morals than medicine.”

Not everyone was so cynical. Doctors were given tax concessions, although perhaps in an early example of cracking down on tax dodgers, Antoninus Pius later set a limit to how many doctors each town could have.

Of course in the absence of a doctor, the educated person could always consult a medical text. Modern readers eager to shun artificial chemicals in favour of natural ingredients might thrill to some of the remedies of Dioscorides of Anarzarbus:

Toothache? Use the sting of a stingray to shatter the tooth
Malaria? Place seven bedbugs inside beans and swallow before the onset of fever
Earache? Boil up the insides of a cockroach and drop them into the offending ear
Bald spots? Burn the hooves of she-goats and smear them on with vinegar (this is one of many remedies, none of them much more appealing)
Thinning hair? Stick on a little extra with a dollop of snail slime
Inflamed injury? Plaster on the fresh dung of grazing cattle.

To be fair, not all of Dioscorides’ suggestions are as alarming as those listed above. Most involve medicinal plants and in places he’s careful to point out that he’s only reporting what other people have told him. But should you consider trying any of them, do remember – this was an era in which anyone could call themselves a doctor.

Please explore more Wonders of Rome via the links below!

Thanks for stopping by on your way around the Hop. If you’d like to know more about Roman medicine, look out for Audrey Cruse’s “Roman Medicine” or Ralph Jackson’s “Doctors and Diseases in the Roman Empire”.

Meanwhile there’s much more Wonder of Rome to visit at the links below. All of them should go live sometime today (15 August) – and don’t forget to leave a comment here by the 19th if you want to enter the free book draw!

Last month I didn’t know what a Blog Hop was…

Posted on August 12, 2013 by Ruth

…and now I’m about to be in one. Ladies and gentlemen, for your entertainment and edification, this coming Thursday a varied group of writers will be presenting a round of blog posts entitled:

Goodness knows what will be on offer as to the best of my knowledge, hardly anyone knows what anyone else has chosen to write about, However, rumour has it that there will be book giveaways. My piece will be posted here on Thursday along with links to all the others, and I’m looking forward to some good reading.

Murder in the Library

Posted on May 6, 2013May 6, 2013 by Ruth

I’ve been saving this one for now because it wouldn’t do to post two exhibitions at once, even though we did rush from one to the other on the same day. The British Library isn’t far from the British Museum, so we hurried up there to have a look at their Murder in the Library display, an A-Z of crime fiction which runs until 12 May. Below are some heavily-edited highlights.

S is for Sherlock Holmes.

This manuscript of a Holmes story suggests that Conan Doyle was a much neater and more decisive writer than some of us. To be fair it wasn’t clear whether this was the only draft or a final fair copy, but it does raise the question of whether our patterns of thinking have been changed by working with endlessly-tweakable text on screen.

4 Conan Doyle ms — MS of “The Adventure of the Retired Colourman,” published in 1927

Incidentally, I’ve just finished reading Peter Guttridge’s “The Belgian and the Beekeeper,” where a detective not unlike Hercule Poirot meets Sherlock Holmes, now a retired recluse who keeps bees. The newcomer suggests the Great Detective may have been somewhat naive about Doctor Watson’s intentions – why is Holmes now living in poverty while Watson is wealthy? Exactly how many wives DID Watson have, and what happened to them? Peter Guttridge exploits some of the inconsistencies in the Holmes stories to joyous effect.

T is for True Crime

These are a couple of early books about the Road Hill House Murder, which continues to fascinate modern readers in Kate Summerscale’s “The Suspicions of Mr. Whicher.”

The penny pamphlet on the left is written by “A disciple of Edgar Poe”, who clearly had a keen sense of marketing. I’m considering issuing my next book as “a disciple of J K Rowling.”

G is for the Golden Age

The time where everyone looked like this, or wanted to:

J is for jigsaw mysteries

Do the jigsaw, solve the mystery. These aren’t unknown today, or at least they weren’t when a friend bought me something similar in a charity shop.

N is for Nordic Noir

…which goes back further than some of us realise: Maj Sjöwall and Per Wallöö were publishing their Martin Beck novels in the 1960’s.

O is for Oxford

…where M is for Morse, who gets a whole display cabinet to himself. Here are three famous faces. Not shown is Colin Dexter, but I’m told he appears somewhere in every episode, which means I can no longer do the ironing during repeats as I have to see where.

Z is not for Aurelio Zen, but for Zodiac mysteries, but let’s end with this:

The quote from Raymond Chandler sounds much like an essay question. I will add one word. “The detective story is a tragedy with a happy ending.” Discuss.